Letter from Perkin Warbeck to His Future Wife, Lady Katherine Gordon

Painting of Paolo and Francesca da Rimini by Dante Gabriel Rossetti
Painting of Paolo and Francesca da Rimini by Dante Gabriel Rossetti

There is a letter, preserved in the Calendar of State Papers in Spain (Volume 1, pgs. 78-79) which was purportedly written by Perkin Warbeck to his future wife, Lady Katherine Gordon. It was most likely written in 1495, either shortly before or after Warbeck arrived in Scotland at the court of King James IV. Here is the letter:

Most noble lady, it is not without reason that all turn their eyes to you; that all admire love and obey you. For they see your two-fold virtues by which you are so much distinguished above all other mortals. Whilst on the one hand, they admire your riches and immutable prosperity, which secure to you the nobility of your lineage and the loftiness of your rank, they are, on the other hand, struck by your rather divine than human beauty, and believe that you are not born in our days but descended from Heaven.

All look at your face so bright and serene that it gives splendor to the cloudy sky; all look at your eyes so brilliant as stars which make all pain to be forgotten, and turn despair into delight; all look at your neck which outshines pearls, all look at your fine forehead. Your purple light of youth, your fair hair; in one word at the splendid perfection of your person:-and looking at they cannot choose love but you; admiring they cannot choose love but you; loving they cannot choose but obey you.

I shall, perhaps, be the happiest of all your admirers, and the happiest man on earth, since I have reason to hope you will think me worthy of your love. If I represent to my mind all your perfections, I am not only compelled to love, to adore and to worship you, but love makes me your slave. Whether I was waking or sleeping I cannot find rest or happiness except in your affection. All my hopes rest in you and in you alone.

Most noble lady, my soul, look mercifully down upon me your slave, who has ever been devoted to you from the first hour he saw you, Love is not an earthly thing, it is heaven born. Do not think it below yourself to obey love’s dictates. Not only kings, but also gods and goddesses have bent their necks beneath its yoke.

I beseech you most noble lady to accept for ever one who in all things will cheerfully do as your will as long as his days shall last. Farewell, my soul and consolation. You, the brightest ornament in Scotland, farewell, farewell.

Did Perkin Warbeck actually write this letter? Someone may have dictated the letter to Warbeck although it’s not impossible he wrote it himself as he appears to have been personable and intelligent. However, the language used in this letter is not at all like the letter he wrote two years later to his mother in Tournai. It was common practice during this era for young people to copy patterns for letter writing so the language used is very conventional and what Katherine Gordon would have expected to read. It’s impossible to say if the sentiments were real or imagined. The truth of the matter is, we will never really know.

Further reading: “The Perkin Warbeck Conspiracy 1491-1499” by Ian Arthurson, The records of Aboyne MCCXXX-MDCLXXXI, ed. Charles Gordon Huntly (Aberdeen: The New Spalding Club, 1894), p. 413

11 thoughts on “Letter from Perkin Warbeck to His Future Wife, Lady Katherine Gordon

  1. I’ve never read a love letter from this era before, so this is really interesting! The cynical part of me, however, is thinking he’s laying it on a bit thick! Although no doubt this is the kind of praise that ladies of the court expected to hear, and there was a definite skill and appreciation for beautifully turned compliments at that time. The thing is, we know with hindsight that he wasn’t the guy he said he was, so that is bound to make us a bit sceptical. Perkin, sorry for not swooning! 🙂


    • Yes Jo, the language is a bit flowery, if that’s a word! 😀 But I’m sure Katherine would have appreciated it none the less. Interesting how our ideas of romantic language change over time.


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